Como cada a\u00f1o, os traigo el listado de nominados a los australianos premios Aurealis, son los siguientes:<\/p>\n\n\n\n
Mejor ficci\u00f3n infantil<\/strong><\/p>\n\n\n\n Andromache Between Worlds<\/strong><\/em>, Gabriel Bergmoser (HarperCollins Publishers)<\/p>\n\n\n\n The Bother with the Bonkillyknock Beast<\/strong><\/em>, Karen Foxlee & Freda Chiu (ill.) (Allen & Unwin)<\/p>\n\n\n\n The Apprentice Witnesser<\/strong><\/em>, Bren MacDibble (Allen & Unwin)<\/p>\n\n\n\n Landovel<\/strong><\/em>, Emily Rodda (Allen & Unwin)<\/p>\n\n\n\n The Midwatch<\/strong><\/em>, Judith Rossell (Hardie Grant Children\u2019s Publishing)<\/p>\n\n\n\n Bravepaw and the Heartstone of Alluria<\/strong><\/em>, L M Wilkinson & Lavanya Naidu (ill.) (Albert Street Books)<\/p>\n\n\n\n Mejor relato corto juvenil<\/strong><\/p>\n\n\n\n \u201cTime\u2019s Key\u201d, Emily Larkin (Stepping Sideways: Worlds of Steampunk & Dystopia<\/strong>,\u00a0<\/em>Rhiza Edge)<\/p>\n\n\n\n \u201cMaiden\u2019s Dawn\u201d, Nikky Lee (A Night So Dark and Full of Stars<\/strong><\/em>, Deadset Press)<\/p>\n\n\n\n \u201cThe Audition\u201d, Juliet Marillier (Borderlands: Riding the Slipstream<\/strong>,<\/em>\u00a0Ford Street Publishing)<\/p>\n\n\n\n \u201cIn a League of Her Own\u201d, Jeanette O\u2019Hagan (Stepping Sideways: Worlds of Steampunk & Dystopia<\/strong>,\u00a0<\/em>Rhiza Edge)<\/p>\n\n\n\n Waking Flora<\/em>, Tansy Rayner Roberts (autopublicado)<\/p>\n\n\n\n \u201cWhat are False Stars to a God?\u201d, Alexander Te Pohe (Avast!<\/strong><\/em>, Fremantle Press)<\/p>\n\n\n\n Mejor relato corto de terror<\/strong><\/p>\n\n\n\n \u201cHackles\u201d, Jeff Clulow (Remixed Myths<\/strong><\/em>, Third Eye Press)<\/p>\n\n\n\n \u201cChangeling\u201d, Michael Gardner (Aurealis #167<\/em>, Chimaera Publications)<\/p>\n\n\n\n \u201cFlesh of My Flesh\u201d, Ben Matthews (Spawn 2: More Weird Horror Tales About Pregnancy, Birth and Babies<\/strong><\/em>, IFWG Publishing)<\/p>\n\n\n\n \u201cThese Pale Shadows\u201d, Kirstyn McDermott (Nosferatu Unbound<\/strong><\/em>, IFWG Publishing)<\/p>\n\n\n\n \u201cEnvelopes\u201d, Matt Tighe (Spawn 2: More Weird Horror Tales About Pregnancy, Birth and Babies<\/strong><\/em>, IFWG Publishing)<\/p>\n\n\n\n \u201cAn Object of Vision\u201d, Guan Un (Fission #4<\/em>, British Science Fiction Association)<\/p>\n\n\n\n Mejor relato corto de fantas\u00eda<\/strong><\/p>\n\n\n\n \u201cThe Beautiful Thing You Once Were\u201d, J Ashley-Smith (Bourbon Penn 33<\/em>)<\/p>\n\n\n\n \u201cLacebound\u201d, Eliza Baker (Aurealis #170<\/em>, Chimaera Publications)<\/p>\n\n\n\n \u201cRemembering the Hungry Ghosts\u201d, Emmi Khor (Best Australian Yarn 2024<\/em>, The West Australian Newspaper)<\/p>\n\n\n\n Bonnets at Dawn<\/em>, Tansy Rayner Roberts (autopublicado)<\/p>\n\n\n\n \u201cMarket of Loss\u201d, Matt Tighe (Aurealis #176<\/em>, Chimaera Publications)<\/p>\n\n\n\n \u201cBefore the Forest\u201d, Kell Woods (Reactor Magazine<\/em>)<\/p>\n\n\n\n Mejor relato corto de ciencia ficci\u00f3n<\/strong><\/p>\n\n\n\n \u201cThe Combat Pilot\u2019s Dictionary\u201d, Arden Baker (Aurealis #167<\/em>, Chimaera Publications)<\/p>\n\n\n\n \u201cDog of War\u201d, Colin Clark (Aurealis #170<\/em>, Chimaera Publications)<\/p>\n\n\n\n \u201cThe Last Reader\u201d, Greg Foyster (Conflux 2024<\/em>, CSFG\/Conflux)<\/p>\n\n\n\n \u201cThe Station\u201d, Kathryn Gledhill-Tucker (New Australian Fiction 2024<\/em>, New South Books)<\/p>\n\n\n\n \u201cLife In The Dirt\u201d, Henry Neilsen (Aurealis #173<\/em>, Chimaera Publications)<\/p>\n\n\n\n \u201cIn War with Time for Love of You\u201d, Carol Ryles (Spawn 2: More Weird Horror Tales About Pregnancy, Birth, and Babies<\/strong><\/em>, IFWG Publishing)<\/p>\n\n\n\n Mejor novela gr\u00e1fica\/trabajo ilustrado<\/strong><\/p>\n\n\n\n Action Tank: Book 3<\/strong><\/em>, Mike Barry (Mike Barry Was Here)<\/p>\n\n\n\n The Star Tide Shores<\/strong><\/em>, Henry Goeldner (Kickstarter)<\/p>\n\n\n\n In Utero<\/strong><\/em>, Chris Gooch (Top Shelf)<\/p>\n\n\n\n Your Highness, Your Highness<\/strong><\/em>, N S Kane, Chris Pitcairn (ill.) (N S Kane Comics)<\/p>\n\n\n\n The Sweetness Between Us<\/strong><\/em>, Sarah Winifred Searle (Allen & Unwin)<\/p>\n\n\n\n Titans: Out of the Shadows<\/strong>,<\/em>\u00a0Tom Taylor, Nicola Scott (ill.) (DC Comics)<\/p>\n\n\n\n Mejor colecci\u00f3n<\/strong><\/p>\n\n\n\n Pick Your Potion<\/strong><\/em>, Ephiny Gale (Foxgrove Press)<\/p>\n\n\n\n Kindling<\/strong><\/em>, Kathleen Jennings (Small Beer Press)<\/p>\n\n\n\n The Heart of the Labyrinth and Other Stories<\/strong><\/em>, D K Mok (self-published)<\/p>\n\n\n\n Mejor antolog\u00eda<\/strong><\/p>\n\n\n\n Fission #4<\/strong><\/em>, Eugen Bacon & Gene Rowe (Eds.) (The British Science Fiction Association)<\/p>\n\n\n\n Found 2: More Stories of Found Footage Horror<\/strong><\/em>, Andrew Cull & Gabino Iglesias (Eds.) (Vermilion To One Press)\u00a0<\/p>\n\n\n\n Celestial Bodies<\/strong><\/em>, Aidan Demmers (Ed.) (Tiny Owl Workshop)<\/p>\n\n\n\n Far-Flung<\/strong><\/em>, Samuel Maguire (Ed.) (Tiny Owl Workshop)<\/p>\n\n\n\n Calvaria Fell: Stories<\/strong><\/em>, Cat Sparks & Kaaron Warren (Meerkat Press)<\/p>\n\n\n\n New Adventures in Space Opera<\/strong><\/em>, Jonathan Strahan (Ed.) (Tachyon Publications)<\/p>\n\n\n\n Mejor novela juvenil<\/strong><\/p>\n\n\n\n Plagued Lands<\/strong>,\u00a0<\/em>Nikki Brooke\u00a0<\/em>(Crow Knight Film & Publishing Realm)<\/p>\n\n\n\n Aisle Nine<\/strong>,\u00a0<\/em>Ian X Cho (HarperCollins Publishers)<\/p>\n\n\n\n They Watch From Below<\/strong>,\u00a0<\/em>Katya de Becerra\u00a0<\/em>(Page Street YA)<\/p>\n\n\n\n Liar\u2019s Test<\/strong><\/em>, Ambelin Kwaymullina\u00a0<\/em>(Text Publishing)<\/p>\n\n\n\n Anomaly<\/strong>,\u00a0<\/em>Emma Lord (Affirm Press)<\/p>\n\n\n\n Deep is the Fen<\/strong>,\u00a0<\/em>Lili Wilkinson (Allen & Unwin)<\/p>\n\n\n\n Mejor novela corta de horror<\/strong><\/p>\n\n\n\n \u201cWe Who Remain\u201d, Nikky Lee (A Night So Dark and Full of Stars<\/strong><\/em>, Deadset Press)<\/p>\n\n\n\n \u201cA Daredevil Duchess\u2019s Guide to Castle Hauntings\u201d, Tansy Rayner Roberts (Castle of Secrets<\/strong><\/em>, autopublicado)<\/p>\n\n\n\n \u201cBell, Book and Lamp\u201d, Angela Slatter (Bound in Blood<\/strong><\/em>, Titan Books)<\/p>\n\n\n\n \u201cMaleficium\u201d, Kyla Lee Ward (Discontinue If Death Ensues<\/em><\/strong>, Flame Tree Publishing)<\/p>\n\n\n\n Shattered<\/strong><\/em>, Pauline Yates (Black Hare Press)<\/p>\n\n\n\n Mejor novela corta de fantas\u00eda<\/strong><\/p>\n\n\n\n \u201cAnother Tide\u201d, Will Greatwich (Beneath Ceaseless Skies<\/em>, Firkin Press)<\/p>\n\n\n\n \u201cDoors\u201d, Nikky Lee (Don\u2019t Forget to Shut the Gate<\/strong><\/em>, Northshore Press)<\/p>\n\n\n\n Talon Marked<\/em>,<\/strong> Sue-Ellen Pashley (Deadset Press)<\/p>\n\n\n\n \u201cA Daredevil Duchess\u2019s Guide to Castle Hauntings\u201d, Tansy Rayner Roberts (Castle of Secrets<\/strong><\/em>, autopublicado)<\/p>\n\n\n\n Hotel Charybdis<\/strong><\/em>, Tansy Rayner Roberts (autopublicado)<\/p>\n\n\n\n \u201cThe Good Old Days\u201d, Craig Rosenberg (Uncertainties VII<\/strong><\/em>, Swan River Press)<\/p>\n\n\n\n Mejor novela corta de ciencia ficci\u00f3n<\/strong><\/p>\n\n\n\n The Javan War<\/strong><\/em>, John Birmingham & Jason Lambright (Gigantic Bombs Corporation)<\/p>\n\n\n\n \u201cCaptain Santiago and the Sky Dome\u201d, Tracy Cooper-Posey, (Celestial Hearts<\/strong><\/em>, Tandy Lion)<\/p>\n\n\n\n \u201cWe Who Remain\u201d, Nikky Lee (A Night So Dark and Full of Stars<\/strong><\/em>, Deadset Press)<\/p>\n\n\n\n \u201cDaisie and Maisie, External Hull Repair Experts\u201d, Sean Monaghan (Analog Science Fiction Science Fact<\/strong><\/em>, Dell Magazines)<\/p>\n\n\n\n Ghost of the Neon God<\/strong><\/em>, T R Napper (Titan Books)<\/p>\n\n\n\n \u201cShadow Films\u201d, Ben Peek (Lightspeed #164<\/em>)<\/p>\n\n\n\n Mejor novela de terror<\/strong><\/p>\n\n\n\n Remedy<\/strong>,<\/em>\u00a0J S Breukelaar (PS Publishing)<\/p>\n\n\n\n Rock Zombie<\/strong><\/em>, A B Finlayson (autopublicado)<\/p>\n\n\n\n The Count<\/strong><\/em>, David-Jack Fletcher (Slashic Horror Press<\/em>)<\/p>\n\n\n\n Jasper Cliff<\/strong><\/em>, Josh Kemp (Fremantle Press)<\/p>\n\n\n\n Carve Your Soul to Pieces<\/strong><\/em>, Ben Pienaar (autopublicado)<\/p>\n\n\n\n Bodily Harm<\/strong><\/em>, Deborah Sheldon (Undertaker Books)<\/p>\n\n\n\n Mejor novela de fantas\u00eda<\/strong><\/p>\n\n\n\n Thoroughly Disenchanted<\/strong><\/em>, Alexandra Almond (HarperCollins Publishers)<\/p>\n\n\n\n Kavithri<\/strong><\/em>, Aman J Bedi (Gollancz)<\/p>\n\n\n\n The She-Wolf of Baker Street<\/strong><\/em>, Narrelle M Harris (Clan Destine Press)<\/p>\n\n\n\n The End and Everything Before It<\/strong><\/em>, Finegan Kruckemeyer (Text Publishing)<\/p>\n\n\n\n The Briar Book of the Dead<\/strong><\/em>, A G Slatter (Titan Books)<\/p>\n\n\n\n