{"id":13894,"date":"2023-03-28T05:30:00","date_gmt":"2023-03-28T05:30:00","guid":{"rendered":"http:\/\/www.fantasticaficcion.com\/?p=13894"},"modified":"2023-03-27T05:53:45","modified_gmt":"2023-03-27T05:53:45","slug":"nominados-a-los-premios-aurealis-2022","status":"publish","type":"post","link":"https:\/\/www.fantasticaficcion.com\/index.php\/nominados-a-los-premios-aurealis-2022\/","title":{"rendered":"Nominados a los premios Aurealis 2022"},"content":{"rendered":"\n

Se han dado a conocer los nominados a los australianos premios Aurealis <\/a>de este a\u00f1o, son los siguientes:<\/p>\n\n\n\n

Mejor novela gr\u00e1fica o trabajo ilustrado<\/strong><\/p>\n\n\n\n

Nottingham Vol 2: A King\u2019s Ransom<\/strong><\/em>, David Hazan (guionista), Shane Connery Volk (artista), Luca Romano (colorista), Justin Birch (rotulista) (Mad Cave Studios)<\/p>\n\n\n\n

Dark Heart #1<\/strong><\/em>, Scott Wilson, Katie Houghton-Ward & Justin Randall (Gestalt)<\/p>\n\n\n\n

The Tree of Ecstasy and Unbearable Sadness<\/strong><\/em>, Matt Ottley (Dirt Lane Press) <\/p>\n\n\n\n

Neverlanders<\/strong><\/em>, Tom Taylor & Jon Sommariva (Penguin Random House Australia)<\/p>\n\n\n\n

Mejor colecci\u00f3n<\/strong><\/p>\n\n\n\n

The Art of Broken Things<\/strong><\/em>, Joanne Anderton (Trepidatio Publishing)<\/p>\n\n\n\n

The Fall: Tales From The Gulp 2<\/strong><\/em>, Alan Baxter (13th Dragon Books)<\/p>\n\n\n\n

Everything Feels Like the End of the World<\/strong><\/em>, Else Fitzgerald (Allen & Unwin)<\/p>\n\n\n\n

Here be Leviathans<\/strong><\/em>, Chris Flynn (University of Queensland Press)<\/p>\n\n\n\n

Hard Places<\/strong><\/em>, Kirstyn McDermott (Trepidatio Publishing)<\/p>\n\n\n\n

Team Queen<\/strong><\/em>, Tansy Rayner Roberts (self-published)<\/p>\n\n\n\n

Mejor antolog\u00eda<\/strong><\/p>\n\n\n\n

Queer Weird West Tales<\/strong><\/em>, Julie Bozza (Ed.) (LIBRAtiger)<\/p>\n\n\n\n

The Art of Being Human<\/strong><\/em>, Tehani Croft with Stephanie Lai (Eds.) (FableCroft Publishing)<\/p>\n\n\n\n

We are Providence<\/strong><\/em>, L E Daniels & Christa Carmen (Eds.) (Weird House Press)<\/p>\n\n\n\n

Unlimited Futures<\/strong><\/em>, Rafeif Ismail (Ed.) (Fremantle Press)<\/p>\n\n\n\n

Clamour and Mischief<\/strong><\/em>, Narrelle M Harris (Ed.) (Clan Destine Press)<\/p>\n\n\n\n

This All Come Back Now<\/strong><\/em>, Mykaela Saunders (Ed.) (University of Queensland Press)<\/p>\n\n\n\n

Mejor ficci\u00f3n infantil<\/strong><\/p>\n\n\n\n

The Wintrish Girl<\/strong><\/em>, Melanie La\u2019Brooy (University of Queensland Press) <\/p>\n\n\n\n

Gus and the Starlight<\/strong><\/em>, Victoria Carless (HarperCollins Publishers)<\/p>\n\n\n\n

The Wrath of the Woolington Wyrm<\/strong><\/em>, Karen Foxlee, illustrated by Freda Chiu (Allen & Unwin)<\/p>\n\n\n\n

The Raven\u2019s Song<\/strong><\/em>, Zana Fraillon & Bren MacDibble (Allen & Unwin)<\/p>\n\n\n\n

The Goodbye Year<\/strong><\/em>, Emily Gale (Text Publishing)<\/p>\n\n\n\n

Mars Awakens<\/strong><\/em>, H M Waugh (Allen & Unwin)<\/p>\n\n\n\n

Mejor relato juvenil<\/strong><\/p>\n\n\n\n

\u201cForbidden Voices\u201d, E J Delaney (Cast of Wonders<\/em> #510)<\/p>\n\n\n\n

\u201cCrone and the Girl\u201d, Pamela Jeffs (The Seasonals<\/strong><\/em>, Four Ink Press)<\/p>\n\n\n\n

\u201cTastes like Home\u201d, Kiera Lesley (Andromeda Spaceways Magazine <\/em>#86)<\/p>\n\n\n\n

\u201cTornadoes, Grief and Poutine\u201d, Aline-Mwezi Niyonsenga (Augur Magazine<\/em> Issue 5.2)<\/p>\n\n\n\n

\u201cEnter Elias Schmidt\u201d, Phoenix Raig (The New Mythic<\/em>,<\/strong> Precipice Fiction)<\/p>\n\n\n\n

\u201cWitchy Ways\u201d, Tansy Rayner Roberts (Witchy Ways<\/strong><\/em>, autopublicado)<\/p>\n\n\n\n

Mejor relato de terror<\/strong><\/p>\n\n\n\n

\u201cNona Doesn\u2019t Dance\u201d Aaron Dries (Cut to Care: A Collection of Little Hurts<\/strong><\/em>, IFWG Publishing Australia)<\/p>\n\n\n\n

\u201cLidless Eyes That See\u201d, Geneve Flynn (From the Wasteland<\/strong><\/em>, PS Publishing UK)<\/p>\n\n\n\n

\u201cThey Call Me Mother\u201d, Geneve Flynn (Classic Monster Unleashed<\/strong><\/em>, Crystal Lake Publishing and Black Spot Books<\/p>\n\n\n\n

\u201cDread Circus\u201d, Pamela Jeffs (That is TOO Wrong! An Anthology of Offbeat Horror Vol 2<\/strong><\/em>, Black Hart Publishers)<\/p>\n\n\n\n

\u201cThe Hunt\u201d, Martin Livings (Light Falling From a Long Dead Star<\/strong><\/em>, autopublicado)<\/p>\n\n\n\n

\u201cBeach Memories\u201d, Matt Tighe (The NoSleep Podcast<\/em>, S18E06)<\/p>\n\n\n\n

Mejor novela corta de terror<\/strong><\/p>\n\n\n\n

\u201cRat\u2019s Alley\u201d, Jeff Clulow (From the Wasteland<\/strong><\/em>, PS Publishing UK)<\/p>\n\n\n\n

\u201cKookaburra Cruel\u201d, Aaron Dries (Damnation Games<\/strong><\/em>, Clan Destine Press)<\/p>\n\n\n\n

\u201cGlyphlight\u201d, Matan Elul (The New Mythic<\/strong><\/em>, Precipice Fiction)<\/p>\n\n\n\n

The New Wife<\/strong><\/em>, Kirstyn McDermott (Brain Jar Press)<\/p>\n\n\n\n

\u201cAmong the Faded Woods\u201d, Faith Mudge (The Art of Being Human<\/strong><\/em>, FableCroft Publishing)<\/p>\n\n\n\n

\u201cSongs from Dark Annie\u2019s Bower\u201d, Angela Slatter (Gaslight Ghouls: Uneasy Tales of Sherlock Holmes<\/strong><\/em>, Belanger Books)<\/p>\n\n\n\n

Mejor relato de fantas\u00eda<\/strong><\/p>\n\n\n\n

\u201cThe Icecutter\u2019s Daughter\u201d, Aiki Flinthart (The Art of Being Human<\/strong><\/em>, FableCroft Publishing)<\/p>\n\n\n\n

\u201cAshes\u201d, Tania Fordwalker (Aurealis<\/em> #151)<\/p>\n\n\n\n

\u201cTastes like Home\u201d, Kiera Lesley (Andromeda Spaceways Magazine <\/em>#86)<\/p>\n\n\n\n

\u201cSalon Faerie\u201d, Tansy Rayner Roberts (autopublicado)<\/p>\n\n\n\n

\u201cBeautiful Horizon\u201d, Steve Simpson (The Purpose of Reality: Solar<\/strong><\/em>, Meerkat Press)<\/p>\n\n\n\n

\u201cThe Past Laid Out On The Table\u201d, Matt Tighe (Cast of Wonders<\/em> 506)<\/p>\n\n\n\n

Mejor novela corta de fantas\u00eda<\/strong><\/p>\n\n\n\n

\u201cThe Ocean, the Lighthouse Keeper, and the Sunset\u201d, Lee Cope (The Art of Being Human<\/strong><\/em>, FableCroft Publishing)<\/p>\n\n\n\n

Hovering<\/strong><\/em>, Dorothy-Jane Daniels (Luna Press)<\/p>\n\n\n\n

\u201cMerry in Time\u201d, Kathleen Jennings (Beneath Ceaseless Skies<\/em> #352)<\/p>\n\n\n\n

Winterbloom<\/strong><\/em>, Kirstyn McDermott (Brain Jar Press)<\/p>\n\n\n\n

\u201cAmong the Faded Woods\u201d, Faith Mudge (The Art of Being Human<\/strong><\/em>, FableCroft Publishing)<\/p>\n\n\n\n

The Bone Lantern<\/strong><\/em>, Angela Slatter (PS Publishing)<\/p>\n\n\n\n

Mejor relato de ciencia ficci\u00f3n<\/strong><\/p>\n\n\n\n

\u201cAs Though I Were a Little Sun\u201d, Grace Chan (Fireside Magazine <\/em>#102)<\/p>\n\n\n\n

\u201cDeath By Water\u201d, Grace Chan (From the Wasteland<\/strong><\/em>, PS Publishing UK)<\/p>\n\n\n\n

\u201cFake Plants\u201d, Scott Limbrick (The Furphy Anthology 2022<\/strong><\/em>, Hardie Grant)<\/p>\n\n\n\n

\u201cSynaesthetics\u201d, Helena O\u2019Connor (Nature<\/strong><\/em>)<\/p>\n\n\n\n

\u201cSharing a Meal at the End of the World\u201d, Anya Ow (Haven Speculative<\/em> Issue Six)<\/p>\n\n\n\n

\u201cOne Man Army\u201d, Scott Steensma (Aurealis<\/em> #156)<\/p>\n\n\n\n

Mejor novela corta de ciencia ficci\u00f3n<\/strong><\/p>\n\n\n\n

Resembling Lepus<\/strong><\/em>, Amanda Kool (Grey Matter Press)<\/p>\n\n\n\n

\u201cThe Goruden-Mairu Job\u201d, T R Napper (Night, Rain, and Neon<\/strong><\/em>, NewCon Press)<\/p>\n\n\n\n

\u201cThe Sisters of Saint Nicola of The Almost Perpetual Motion vs the Lurch\u201d, Garth Nix (Tor.com)<\/p>\n\n\n\n

Cobalt Blue<\/strong><\/em>, Matthew Reilly (Pan Macmillan)<\/p>\n\n\n\n

Mejor novela juvenil<\/strong><\/p>\n\n\n\n

Night Lights<\/strong><\/em>, Sarah Epstein (Fourteen Press) <\/p>\n\n\n\n

The Rarkyn\u2019s Familiar<\/strong><\/em>, Nikky Lee (Parliament House Press)<\/p>\n\n\n\n

Only a Monster<\/strong><\/em>, Vanessa Len (Allen & Unwin) <\/p>\n\n\n\n

If You Could See the Sun<\/strong><\/em>, Ann Liang (HQ Fiction)<\/p>\n\n\n\n

We Who Hunt the Hollow<\/strong><\/em>, Kate Murray (Hardie Grant Children\u2019s Publishing)<\/p>\n\n\n\n

League of Liars<\/em>,<\/strong> Astrid Scholte (Allen & Unwin)<\/p>\n\n\n\n

Mejor novela de terror<\/strong><\/p>\n\n\n\n

Sallow Bend<\/strong><\/em>, Alan Baxter (Cemetery Dance)<\/p>\n\n\n\n

Scavengers<\/strong><\/em>, Robert Hood (Clan Destine Press)<\/p>\n\n\n\n

The Stranger<\/strong><\/em>, Kathryn Hore (Allen & Unwin)<\/p>\n\n\n\n

The Stone Road<\/strong><\/em>, Trent Jamieson (Erewhon Books)<\/p>\n\n\n\n

Path of Thorns<\/strong><\/em>, Angela Slatter (Titan Books)<\/p>\n\n\n\n

Mejor novela de fantas\u00eda<\/strong><\/p>\n\n\n\n

The Not So Chosen One<\/strong><\/em>, Kate Emery (Text Publishing)<\/p>\n\n\n\n

The Stone Road<\/strong><\/em>, Trent Jamieson (Erewhon Books)<\/p>\n\n\n\n

A Restless Truth<\/a><\/strong><\/em>, Freya Marske (Tor)<\/p>\n\n\n\n

Blitz<\/strong><\/em>, Daniel O\u2019Malley (HarperCollins Publishers)<\/p>\n\n\n\n

Path of Thorns<\/strong><\/em>, Angela Slatter (Titan Books) <\/p>\n\n\n\n

Honour Among Ghosts<\/em>,<\/strong> Sean Williams (Allen & Unwin)<\/p>\n\n\n\n

Mejor novela de ciencia ficci\u00f3n<\/strong><\/p>\n\n\n\n

Hovering<\/strong><\/em>, Rhett Davis (Hachette Australia)<\/p>\n\n\n\n

The Stranger<\/strong><\/em>, Kathryn Hore (Allen & Unwin)<\/p>\n\n\n\n

36 Streets<\/strong><\/em>, T R Napper (Titan Books)<\/p>\n\n\n\n

Here Goes Nothing<\/strong><\/em>, Steve Toltz (Hamish Hamilton)<\/p>\n\n\n\n

Bootstrap<\/strong><\/em>, Georgina Young (Text Publishing)<\/p>\n","protected":false},"excerpt":{"rendered":"

Se han dado a conocer los nominados a los australianos premios Aurealis de este a\u00f1o, son los siguientes: Mejor novela gr\u00e1fica o trabajo ilustrado Nottingham Vol 2: A King\u2019s Ransom, David Hazan (guionista), Shane Connery Volk (artista), Luca Romano (colorista), Justin Birch (rotulista) (Mad Cave Studios) Dark Heart #1, Scott Wilson, Katie Houghton-Ward & Justin … <\/p>\n

Continuar leyendo “Nominados a los premios Aurealis 2022”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10,5],"tags":[190,80,297],"class_list":["post-13894","post","type-post","status-publish","format-standard","hentry","category-ciencia-ficcion-2","category-fantasia","tag-noticias","tag-premios","tag-premios-aurealis"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p5fEpk-3C6","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts\/13894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/comments?post=13894"}],"version-history":[{"count":2,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts\/13894\/revisions"}],"predecessor-version":[{"id":13941,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts\/13894\/revisions\/13941"}],"wp:attachment":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/media?parent=13894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/categories?post=13894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/tags?post=13894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}