{"id":11696,"date":"2021-03-10T05:30:00","date_gmt":"2021-03-10T05:30:00","guid":{"rendered":"http:\/\/www.fantasticaficcion.com\/?p=11696"},"modified":"2021-02-11T10:59:18","modified_gmt":"2021-02-11T10:59:18","slug":"contenidos-de-the-years-best-science-fiction-2","status":"publish","type":"post","link":"https:\/\/www.fantasticaficcion.com\/index.php\/contenidos-de-the-years-best-science-fiction-2\/","title":{"rendered":"Contenidos de The Year&#8217;s Best Science Fiction 2"},"content":{"rendered":"\n<p>El minimalismo y el recuerdo de la \u00e9poca de los 8 bits con Richard Yoo ha llegado a la portada de<a href=\"https:\/\/www.tor.com\/2021\/02\/08\/revealing-the-cover-and-table-of-contents-for-the-years-best-science-fiction-volume-2-edited-by-jonathan-strahan\/\"> <strong><em>The Year&#8217;s Best Science Fiction 2<\/em><\/strong>,<\/a> editado por Jonathan Strahan, que publicar\u00e1 Saga Press en septiembre de este a\u00f1o.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.fantasticaficcion.com\/wp-content\/uploads\/2021\/02\/YBSF-Vol-2-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/www.fantasticaficcion.com\/wp-content\/uploads\/2021\/02\/YBSF-Vol-2-scaled-1-684x1024.jpg\" alt=\"\" class=\"wp-image-11698\" srcset=\"https:\/\/www.fantasticaficcion.com\/wp-content\/uploads\/2021\/02\/YBSF-Vol-2-scaled-1-684x1024.jpg 684w, https:\/\/www.fantasticaficcion.com\/wp-content\/uploads\/2021\/02\/YBSF-Vol-2-scaled-1-200x300.jpg 200w, https:\/\/www.fantasticaficcion.com\/wp-content\/uploads\/2021\/02\/YBSF-Vol-2-scaled-1.jpg 740w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/a><\/figure>\n\n\n\n<p>Aqu\u00ed os traigo tambi\u00e9n los relatos que contendr\u00e1:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>\u201cThe Bahrain Underground Bazaar\u201d de Nadia Afifi<\/strong><br><em>The Magazine of Fantasy and Science Fiction<\/em>, 11\/12\/20<\/li><li><strong>\u201cIf You Take My Meaning\u201d <strong>de<\/strong><\/strong> <strong>Charlie Jane Anders<\/strong><br>Tor.com, 2\/12\/20.<\/li><li><strong>\u201cIt Came From Cruden Farm\u201d <strong>de<\/strong><\/strong> <strong>Max Barry<\/strong><br><em>Slate Future Tense<\/em>, 2\/29\/20.<\/li><li><strong>\u201cThe Final Performance of the Amazing Ralphie\u201d <strong>de<\/strong><\/strong> <strong>Pat Cadigan<\/strong><br><em>Avatars Inc.<\/em><\/li><li><strong>\u201cAn Important Failure\u201d <strong>de<\/strong><\/strong> <strong>Rebecca Campbell<\/strong><br><em>Clarkesworld Magazine<\/em>, 8\/20<\/li><li><strong>\u201cSchr\u00f6dinger\u2019s Catastrophe\u201d <strong>de<\/strong><\/strong> <strong> Gene Doucette<\/strong><br><em>Lightspeed Magazine<\/em>, 11\/20<\/li><li><strong>\u201cMidstrathe Exploding\u201d <strong>de<\/strong><\/strong> <strong>Andy Dudak<\/strong><br><em>Analog: Science Fiction and Fact<\/em>, 3-4\/20<\/li><li><strong>\u201cThe Pill\u201d <strong>de<\/strong><\/strong> <strong>Meg Elison<\/strong><br><em>Big Girl Plus\u2026<\/em>\u00a0(PM Press)<\/li><li><strong>\u201cGO. NOW. FIX. \u201c <strong>de<\/strong><\/strong> <strong>Timons Esaias<\/strong><br><em>Asimov\u2019s Science Fiction<\/em>, 1-2\/20<\/li><li><strong>\u201cDrones to Ploughshares\u201d <strong>de<\/strong><\/strong> <strong>Sarah Gailey<\/strong><br><em>Motherboard Vice<\/em>, 4\/02\/20<\/li><li><strong>\u201cThe Transition of OSOOSI\u201d <strong>de<\/strong><\/strong> <strong>Ozzie M. Gartrell<\/strong><br><em>Fiyah Lit Magazine of Black Speculative Fiction<\/em>\u00a0Issue #13<\/li><li><strong>\u201cBurn or The Episodic Life of Sam Wells as a Super\u201d <strong>de<\/strong><\/strong> <strong>A.T. Greenblatt<\/strong><br><em>Uncanny Magazine<\/em>, 5-6\/20<\/li><li><strong>\u201cHow Quini the Squid Misplaced His Klobu\u010dar\u201d <strong>de<\/strong><\/strong> <strong>Rich Larson<\/strong><br>Tor.com, 1\/15\/20<\/li><li><strong>\u201cThe Mermaid Astronaut\u201d <strong>de<\/strong><\/strong> <strong>Yoon Ha Lee<\/strong><br><em>Beneath Ceaseless Skies<\/em>\u00a0298<\/li><li><strong>\u201c50 Things Every AI Working with Humans Should Know\u201d <strong>de<\/strong><\/strong> <strong>Ken Liu<\/strong><br> <em>Uncanny Magazine, 11-12\/20<\/em><\/li><li><strong>\u201cBeyond These Stars Other Tribulations of Love\u201d <strong>de<\/strong><\/strong> <strong>Usman T. Malik<\/strong><br><em>Wired<\/em>, 12\/11\/20<\/li><li><strong>\u201cYellow and the Perception of Reality\u201d <strong>de<\/strong><\/strong> <strong>Maureen McHugh<\/strong><br>Tor.com, 7\/22\/20<\/li><li><strong>\u201cA Mastery of German\u201d <strong>de<\/strong><\/strong> <strong>Marian Denise Moore<\/strong><br>\u00a0<em>Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora<\/em><\/li><li><strong>\u201cFather\u201d <strong>de<\/strong><\/strong> <strong>Ray Nayler<\/strong><br><em>Asimov\u2019s Science Fiction<\/em>, 7-8\/20<\/li><li><strong>\u201cHow to Pay Reparations: a Documentary\u201d <strong>de<\/strong><\/strong> <strong>Tochi Onyebuchi<\/strong><br>\u00a0<em>Slate Future Tense<\/em>, 8\/29\/20<\/li><li><strong>\u201cDon\u2019t Mind Me\u201d <strong>de<\/strong><\/strong> <strong>Suzanne Palmer<\/strong><br><em>Entanglements: Tomorrow\u2019s Lovers, Families, and Friends<\/em>\u00a0(MIT Press)<\/li><li><strong>\u201cA Guide for Working Breeds\u201d <strong>de<\/strong><\/strong> <strong>Vina Jie-Min Prasad<\/strong><br><em>Made to Order: Robots and Revolution<\/em><\/li><li><strong>\u201cPolished Performance\u201d <strong>de<\/strong><\/strong> <strong>Alastair Reynolds<\/strong><br><em>Made to Order: Robots and Revolution<\/em><\/li><li><strong>\u201cThe Suicide of Our Troubles\u201d <strong>de<\/strong><\/strong> <strong>Karl Schroeder<\/strong><br><em>Slate Future Tense<\/em>, 11\/28\/20<\/li><li><strong>\u201cAirbody\u201d <strong>de<\/strong><\/strong> <strong>Sameem Siddiqui<\/strong><br><em>Clarkesworld Magazine<\/em>, 4\/20<\/li><li><strong>\u201cSparklybits\u201d <strong>de<\/strong><\/strong> <strong>Nick Wolven<\/strong><br>\u00a0<em>Entanglements: Tomorrow\u2019s Lovers, Families, and Friends<\/em>\u00a0(MIT Press)<\/li><li><strong>\u201cThe Search for [Flight X]\u201d <strong>de<\/strong><\/strong> <strong>Neon Yang<\/strong><br><em>Avatars Inc.<\/em><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>El minimalismo y el recuerdo de la \u00e9poca de los 8 bits con Richard Yoo ha llegado a la portada de The Year&#8217;s Best Science Fiction 2, editado por Jonathan Strahan, que publicar\u00e1 Saga Press en septiembre de este a\u00f1o. Aqu\u00ed os traigo tambi\u00e9n los relatos que contendr\u00e1: \u201cThe Bahrain Underground Bazaar\u201d de Nadia AfifiThe &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.fantasticaficcion.com\/index.php\/contenidos-de-the-years-best-science-fiction-2\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> &#8220;Contenidos de The Year&#8217;s Best Science Fiction 2&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[10,24],"tags":[181,190,96],"class_list":["post-11696","post","type-post","status-publish","format-standard","hentry","category-ciencia-ficcion-2","category-relatos-cortos","tag-jonathan-strahan","tag-noticias","tag-portadas"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p5fEpk-32E","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts\/11696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/comments?post=11696"}],"version-history":[{"count":1,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts\/11696\/revisions"}],"predecessor-version":[{"id":11699,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/posts\/11696\/revisions\/11699"}],"wp:attachment":[{"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/media?parent=11696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/categories?post=11696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fantasticaficcion.com\/index.php\/wp-json\/wp\/v2\/tags?post=11696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}